Book II of Department of Unclassified Artefacts. George Archer, Liz Oldfield and Eddie Hopkins have made a rather unfortunate discovery: vampires really exist and they do feed on human blood. Using a labyrinth of tunnels beneath Victorian London, these sinister creatures are intent on destroying the human race and they'll start by taking over the most powerful place in London - the Houses of Parliament. Liz, George and Eddie come up with a plan to beat the vampires at their own game. And they'd better do it soon...
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Beneath the Opera House in Paris, somewhere in the dark labyrinths hidden from public view, the Phantom lurks, watching and waiting. In his crazed obsession to further the career of a beautiful young singer, he will stop at nothing - not even murder. -
Beneath the Opera House in Paris, somewhere in the dark labyrinths hidden from public view, the Phantom lurks, watching and waiting. In his crazed obsession to further the career of a beautiful young singer, he will stop at nothing - not even murder. This 75th anniversary edition contains a foreword by Peter Haining, which introduces the larger-than-life character of author Gaston Leroux and traces the history of the Phantom - its basis in fact, the novel's poor reception yet its astonishing success in the cinema and theatre. There is also a special appendix in which a speculation links the Phantom to Sherlock Holmes. Cover art by Mark Teague.
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Dorian is handsome, debonair and charming - and he wants to stay that way. In fact, he'll do anything to stay young and handsome - forever. So when he looks at his portrait and wishes that the portrait could age in his place...He gets his wish, but with awful consequences...The tale of Dorian Gray’s gradual moral disintegration caused a scandal when it first appeared in 1890, but though Wilde was attacked for the novel’s corrupting influence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” -
The portrait which Basil Hallward painted of Dorian Gray revealed the face of an Adonis, and when he saw the finished picture of himself, the beautiful young aesthete exclaimed: 'Why should it keep what I must love. Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could always be what I am now!' His perverse aspiration was strangely fulfilled. Abandoning himself to every sin his profligate mind could devise, the wealthy and exquisite young man brought misery and disgrace upon all who accepted his companionship, but Dorian Gray still wore the outward appearance of serene beauty. It was upon the portrait, locked away in his attic, that the marks of degeneration mysteriously appeared, for the painting of Adonis slowly transformed into the likeness of a satyr. This was Wilde's only novel; slightly edited when it first appeared in print in 1891 but due to public outrage at the remaining hints of homosexuality and deviancy, was further edited. This edition is the version in which only 500 words had been cut from Wilde's original manuscript. Wilde himself said, of Dorian Gray: 'All excess, as well as all renunciation, brings its own punishment.' Many believe that Wilde not only intend to point a moral but to highlight the fact that Dorian. himself and many others in the Victorian age were forced to live a double life of hypocrisy, but that to lead such a double life is, in the end, destructive to oneself and to those about one. Cover art from an engraving by Ceil Keeling. -
When the storm rages and the avalanche cuts off power and phone lines, no one in the chalet is particularly bothered. There are kerosene lamps, a well-stocked bar and food supplies more than adequate to last them till the road to Nidenhaut can be opened up. They’re on holiday after all, and once the weather clears they can carry on skiing. They do not know, then, that deep within the Swiss Alps, something alien has stirred: an invasion so sly it can only be detected by principled reasoning...The Possessors had a long memory… For aeons, which were now uncountable, their life had been bound up with the evanescent lives of the Possessed. Without them, they could not act or think, but through them they were the masters of this cold world... -
Julian Day 1. It was for the lovely Sylvia Shane that Julian decided to set out on his quest, but it was the fascinating, dangerous Princess Oonas Shahamalek who delayed his departure. The quest was for the treasure of Cambyses, buried for more than two thousand years. It led Julian to a night in the Tomb of the Sacred Bulls in Alexandria; to an encounter with white slavers and dope runners outside of Cairo; to a voyage up the Nile where death waited for them. It ended in the Libyan desert, five hundred miles from civilisation.
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A Roger Brooks Adventure, No. VI. Roger Brook – 'wanted' for illegal duelling – sailed for Calcutta in the summer of 1796. With him went his lovely Clarissa. And in Calcutta Clarissa was abducted. Abducted by Rinaldo Malderini, a Venetian senator and a disciple of the Devil, an enemy as vicious and unscrupulous as any that Roger Brook had faced. Through shipwreck, capture by slavers, a desperate night attack on a walled city, Roger Brook seeks his revenge: and achieves it on entering Venice with Napoleon. -
The Rats: James Herbert
$30.00London is struck by an invasion. Women, children, old and young, none are safe from the deadly menace. The attacks are swift and sure, escape is impossible. A state of emergency is declared. Evacuation seems to be the only solution in the face of the growing panic and mounting death toll. For millions of years man and rats had been natural enemies. But this time, the enemy is a species of super rat - the mutant results of an atomic blast - and suddenly, shockingly, horribly... the balance of power had shifted and war is declared - the rats are public enemy number one...
