James Herbert

//James Herbert
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  • In 1945, Hitler unleashes the Blood Death on Britain as his final act of vengeance. Hoke, an American pilot and one of a tiny minority with a rare blood group unaffected by the deadly disease, has survived among the debris and dead of London for three years. Now, in '48, a slow-dying group of Fascist Blackshirts believe their  only hope is a complete blood transfusion from one of Hoke's kind. They  literally want his blood. Running for his life, Hoke is rescued by other survivors and they are pursued  through London's ravaged streets and historic landmarks, reaching a dramatic, explosive climax at the top of the Tower Bridge.
  • In 1945, Hitler unleashed the Blood Death on Britain as his final act of vengeance. Those who died at once were the lucky ones. The really unfortunate took years. The survivors - people like Hoke, an American pilot and one of a tiny minority with a blood group unaffected by the killer disease - have survived among the debris and dead of London for three years. But now, Hoke's running for his life - hunted through the ruined city by a desperate pack of slow-dying Fascist Blackshirts. They're after his blood...literally...
  • Joseph Creed is a paparazzo - he chases and harasses celebrities for candid shots, hopefully the seedier kind. Creed is a sleaze - but good at his job; he's unkempt and uncouth, a coward, a liar and a would-be blackmailer.  He's also a womaniser and a divorcee. He looks a little like Mickey Rourke - and knows it. After the funeral ceremony of a major Hollywood actress, Creed photographs a man desecrating the grave. Creed himself is observed and there is a series of horrific events designed to frighten him into handing over the film.  The man he has photographed bears a strong resemblance to a a man who was hanged in the 1930s for murder and mutilation of children. Creed eventually discovers that his antagonists are the Fallen Angels of Europe. Their powers are waning, the centuries of evil have taken their toll. Creed finds them - in an old folks' rest home...Cover art by James Herbert.
  • He was a rangy mongrel, wandering the streets of the city, driven by a ravenous hunger and hunting a quarry he could not define.  Somewhere in the depths of his consciousness  was a memory clawing its way up, tormenting him, refusing to let him rest.  The memory that he had once been a man...
  • David Ash, psychic investigator is invited to Edbrook,  a remote country house where there is an alleged haunting. He meets the Mariell family: brothers Robert and Simon, sister Christina and their aunt, Nanny Tess. Ash is renowned for his dismissal of all thing supernatural, having exposed fake mediums and finding natural causes for so-called psychic phenomena. He has his reasons  for refuting such unearthly occurrences. But over three hideous nights of terror, Ash is forced to re-evaluate his beliefs and confront the enigma of hisown past.  There are games to be played here; nightmarish pastimes of a deadly, maleficent nature and only when they are done will Edbrook's dreadful secret be revealed. Cover art by James Herbert.

  • David Ash, psychic investigator is invited to Edbrook,  a remote country house where there is an alleged haunting. He meets the Mariell family: brothers Robert and Simon, sister Christina and their aunt, Nanny Tess. Ash is renowned for his dismissal of all thing supernatural, having exposed fake mediums and finding natural causes for so-called psychic phenomena. He has his reasons  for refuting such unearthly occurrences. But over three hideous nights of terror, Ash is forced to re-evaluate his beliefs and confront the enigma of hisown past.  There are games to be played here; nightmarish pastimes of a deadly, maleficent nature and only when they are done will Edbrook's dreadful secret be revealed.
  • David Ash, psychic investigator is invited to Edbrook,  a remote country house where there is an alleged haunting. He meets the Mariell family: brothers Robert and Simon, sister Christina and their aunt, Nanny Tess. Ash is renowned for his dismissal of all thing supernatural, having exposed fake mediums and finding natural causes for so-called psychic phenomena. He has his reasons  for refuting such unearthly occurrences. But over three hideous nights of terror, Ash is forced to re-evaluate his beliefs and confront the enigma of his own past.  There are games to be played here; nightmarish pastimes of a deadly, maleficent nature and only when they are done will Edbrook's dreadful secret be revealed. Cover art by James Herbert.

  • The Rats II. The mutant white rat had grown and mated, creating offspring in its own image. They dominated the others, the dark-furred ones, who foraged for food and brought it back to the lair. Now the dark rats were restless, tormented by a craving they could not satisfy. But the white slug-like thing that ruled them knew. It's two heads weaved to and fro, and it drooled as it remembered the taste of human flesh...Cover art by Gerry Grace (as Gerald Grace.)
  • He had fled from the terrors of his past, finding refuge in the quietness of the island. And for a time he lived in peace. Until the "sightings" began, visions of horror seeping into his mind like poisonous tendrils, violent acts that were hideously macabre, the thoughts becoming intense. He witnessed the grotesque acts of another thing, a thing that glorified in murder and mutilation, a monster that soon became aware of the observer within its own mind. And relished contact. A creature that would eventually come to the island to seek him out...